Dark Delicacies III: Haunted: edited by Jeff Gelb and Del Howison (2009) containing the following stories:
“Though Thy Lips Are Pale” by Maria Alexander
A Haunting by John Connolly
A Nasty Way to Go by Ardath Mayhar
And So with Cries by Clive Barker
Children of the Vortex by Simon Clark
Church Services by Kevin J. Anderson
Do Sunflowers Have a Fragrance? by Del James
Fetch by Chuck Palahniuk
Food of the Gods by Simon R. Green
How to Edit by Richard Christian Matheson
In the Mix by Eric Red
Man with a Canvas Bag by Gary A. Braunbeck
Mist on the Bayou by Heather Graham
One Last Bother by Del Howison
Resurrection Man by Axelle Carolyn
Starlets & Spaceboys by Joseph V. Hartlaub
The Architecture of Snow by David Morrell
The Flinch by Michael Boatman
The Slow Haunting by John R. Little
The Wandering Unholy by Victor Salva
Tyler’s Third Act by Mick Garris
Fairly solid original anthology from editors Gelb and Howison, with a number of stories by writers and directors better known for their Hollywood work.
Mick Garris, who’s directed about half of all Stephen King adaptations (with King’s blessing — Garris seems to be King’s director and occasional screenwriter of choice), offers a caustic piece about the new realities of television and the Internet as seen by a screenwriter who’s rapidly circling the drain; Eric Red, another prolific screenwriter, takes on the music industry instead.
The prolific Canadian-born and bred novelist David Morrell (forever to be blurbed as “the creator of Rambo”) gives the reader the most original riff on the Haunted theme in a story that touches on the new realities of publishing and a celebrated, reclusive writer who resembles J.D. Salinger.
More traditional supernatural horrors are nicely rendered in “The Wandering Unholy” (Nazis vs. Something Awful). “Starlets & Spaceboys” is a lovely little zinger, as are the bioengineered terrors of Simon Clark’s “Children of the Vortex.” And Richard Christian Matheson, who’s successfully straddled the worlds of print and screen horror for decades (much like his father, Richard Matheson), presents a horror-story about obsessive editing. Recommended.